An analyses of the institutional change in the 19th century French art world: Edouard Manet and the origin of impressionism; what was the role of the art dealer Paul Durand-Ruel.
The writer, i.a. refers to Pierre Bourdieu and Harrison C. White.
The writer is a sociologist and Director of the Institute for Cultural Theory at the University of Lüneburg.
The theme: The surplus of the arts.
Http://www.frame-fund.fi.