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“…Frontmatter -- Contents -- Introduction -- Part One CULTURAL ENCOUNTERS AND MUSICIANS’ NETWORKING -- CHAPTER 1 From Ignorance to Familiarity: Lithuanian and Polish Musical Networking During the Cold War -- CHAPTER 2 On Forms of Memory and Freedom in Polish and Lithuanian Music before and after 1989 -- CHAPTER 3 The Musical Meetings in Baranów and Sandomierz as Oases of Freedom -- CHAPTER 4 Rebellion and Identity: A Generational Breakthrough in Polish Music in the 1970s -- Part Two THE MUSICAL EXPRESSION OF CULTURAL AND POLITICAL LIBERATION -- CHAPTER 5 The Idea of Freedom in Krzysztof Penderecki’s Works: From Experience to Expression -- CHAPTER 6 Nodes and Turning Points in the Life and Art of Henryk Mikołaj Górecki as a Resonance of Polish Politics and History in the Second Half of the Twentieth Century -- CHAPTER 7 The Dimensions of Freedom in Wojciech Marczewski’s Movie Escape from the “Liberty” Cinema and Witold Leszczyński’s Siekierezada (Axiliad): Music Functions in Films -- CHAPTER 8 Lithuanian Music in Transition: Independent Festivals of the 1980s and 1990s -- Part Three MUSIC AND POLITICS BEFORE AND AFTER THE FALL -- CHAPTER 9 Disco Culture and the Ritual Journey in the Soviet 1980s -- CHAPTER 10 The Ganelin Trio, Rova Saxophone Quartet, and US-Soviet Cultural Exchanges in the 1980s -- CHAPTER 11 On the Other Side of Freedom: The Band Miłość and the Polish Yass Scene -- CHAPTER 12 Critics’ Choice: New Russian Music Criticism and Leonid Desyatnikov -- Editors and Contributors -- Index of Names…”
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